Dioptrice — Color finishing studio

Working with
Dioptrice.

START WITH A FEELING

A shared direction.
A tailored process.
A look that belongs to your project.

We work with directors and cinematographers to shape how an image feels, from the first references to the final grade.

Explore the process
A bearded man seated in a dim, cool-toned interior from CrossroadsView project ↗
CROSSROADSCOLOR GRADING / SHOW LUT CREATION

Shaping your
project.

FROM FIRST CONTACT TO FINAL FRAME

01

A shared
direction.

THE PROJECT · THE REFERENCES · THE POSSIBILITIES

We’ll discuss your project and timeline, along with your references, inspirations, and what you want your audience to feel. This conversation guides the direction of our collaboration.

02

A plan for
your project.

A PLAN BASED ON YOUR CUT

We’ll ask to see a rough cut so we can assess what’s workable within your project’s requirements and visual goals.

03

Prepare for
the grade.

CLEAR HANDOFF GUIDANCE FOR A SMOOTH WORKFLOW

We’ll send a prep PDF with the requirements to make the handoff and the start of your project as simple as possible.

04

Build the look.
Review it together.

KEY SHOTS · SHARED REVIEW · A CLEAR DIRECTION

We begin the first pass with our initial conversation, your references, and your inspirations guiding the development of your look.

In a live session, we review key shots from each scene with you, discuss what’s working, and refine the direction together. This is where we make sure we’re aligned on the look before completing the grade.

05

The final
grade.

THE COMPLETED GRADE · THE AGREED DELIVERABLES

With the direction established, we complete the final pass and carry the look through the project.

We then prepare the agreed assets for delivery, according to the requirements discussed at the start.

View selected work

Digital
stocks.

BEFORE THE FIRST FRAME IS SHOT

A look to light
and shoot for.

Establishing the look before shooting gives your team a direction to light and shoot for. We work with directors and cinematographers on look development and show LUTs that give production a shared visual starting point.

We call these digital stocks: much like choosing a film stock, they help the team light, expose, and make creative decisions with the intended look in mind.

A show LUT helps you work closer to that direction on set. The final grade is where we refine it across the project.

A boxer silhouetted against a blue and orange evening sky in KineticLOOK DEVELOPMENT / SHOW LUT CREATION

Already have a look?

We can work within an established look, grade your images to match it, or help develop it further. Our role adapts to where your project is and what it needs.

Let’s shape
your look.

START A CONVERSATION

Bring your rough cut, your references,
or the idea you’re still working through.

Let’s talk color
Get in touch